(20 May 1997, Capitol)
I’m not a baseball fan, so pardon me if I screw up this analogy.
Foo Fighters’ debut was at least a triple play. It could be almost be said it was a home run, but I don’t think it quite made it over the fence. It was good. Hell, it was great. But there was something missing. It wasn’t quite a perfect album.
But as the old saying goes, you have as long as you need to write your first album. Dave Grohl had years to compile the songs on that album. The band had a considerably shorter time period to write the follow-up. Could they deliver? What were they going to do in their next at bat?
I’d have to say The Colour and the Shape is a grand slam. This was the album that catapulted Foo Fighters into the stratosphere. Before this album, you could expect to hear one Foos song on the radio for every ten Nirvana plays. Now you’re lucky to hear one Nirvana track for every twenty from the Foo Fighters.
They’re no longer “that band with the drummer from Nirvana.” Foo Fighters are now “the biggest fucking rock band in the world.” I’m not saying that every song on The Colour and the Shape is great, but they all flow together so well that even the throwaway tunes work in the context of the album to make it great.
“Monkey Wrench” was the perfect lead single. That hummable, descending guitar line and poppy melodies mix perfectly. It’s just heavy enough to appeal to metalheads, but light enough to bounce around to. “My Hero” is one of those songs where I like the video more than the actual song, but it’s still a great one. Those goofy guitar turnarounds at the end of the chorus make it all worth it for me. How do you listen to it and not play air guitar to those licks?
And how do you follow up something like “Big Me,” which is as close to a perfect love song as I’ve ever heard and puts a smile on my face nearly every time I hear it? With a song that the rest of the human population feels that way about! I can’t help but wonder how many children were born because of the song “Everlong.”
If you take the time to look past the singles there’s still great stuff. I’m not a fan of some of the lighter fare. “Doll” and “Walking After You” are a little too light for me. They remind me of a bag of potato chips – mostly air. Stuff like “See You” and “New Way Home” are a lot better. Fun, simple rockers that get the feet tapping, but it’s the raunchy rockers that get my blood pumping.
I love “Hey, Johnny Park.” The main riff is just pure brilliance. I’m not sure if I heard this many years ago and it stuck in my head. It sounded familiar when I got my copy recently, but maybe it’s just one of those riffs that is so catchy I can’t remember a time when it wasn’t in my head.
“The Colour and the Shape” might be my favorite Foo Fighters song. When you hear the tunes “Times Like These” and “Best of You” it’s easy to forget that Dave Grohl cut his teeth playing in punk bands. When you hear the screams and noise of the title track it’s front and center.
The best thing about The Colour and the Shape is that it sounds like a group effort. Grohl already proved he could write and record an album on his own with Foo Fighters and the Late! cassette he released while still with Nirvana, but he doesn’t seem like the kind of guy who needs absolute control like Trent Reznor or Prince.
Utilizing the whole band turned out to be a good decision. This was the album that led to sold out arenas and a quarter billion dollar net worth. Sometimes all it takes is four guys in a room jamming to come up with a masterpiece.