(31 August 1999, Outpost)
One of the greatest things about music is its ability to take you places. Hearing a song can make you feel like you’re back in junior high school without a care in the world. A lot of songs bring scenes in movies to mind (think of Forrest Gump). Sometimes it can take you to a whole other world. Days of the New’s second album has the power to transport me from wherever I happen to be back to Hyrule.
My mom met the man who would become her second husband while I was in high school. He was living in a small apartment above a bar with a mattress, a chihuahua/shih tzu mix and a huge stereo from Rent-a-Center. It didn’t take long until he moved in with us; and brought the dog and the stereo. It’s easy to date when he moved in because he only had four CDs: Ozzy’s No Rest For The Wicked, Yngwie Malmsteem’s Facing the Animal, Godsmack’s debut and DotN’s second album.
“Enemy” was a big hit at the time and he loved it. He would play that album over and over while drinking at the kitchen table with his buddies. Being in high school I wasn’t old enough to drink and probably spent at least a little bit of time studying. But when I wasn’t studying I was sitting in front of the television with my little brother because around the same time he moved in with that huge stereo we got a Super Nintendo and A Link To The Past. I have no idea how many times we played through that game together, but I can remember having a lot of fun with him. I think that may have been the best bonding we ever did.
And the great thing is that whenever I hear Days of the New’s second album I can think back on those days.
It probably helps that the album starts off with the sound of horse hooves. How else can I get from the water level to the desert level quickly? I’m a huge fan of all the segues that blend the tracks together. I honestly can’t name most of the songs on this album, and probably couldn’t tell you where most of them begin or end because it works as such a great cohesive whole.
The secret weapon is Nicole Sherzinger who would later achieve mega stardom as the lead singer of the Pussycat Dolls. It feels really weird to write that because the musical styles of the two groups couldn’t be more distant. But Sherzinger does have a beautiful voice and uses it to great effect with Days of the New.
Singer/Guitarist/Songwriter Travis Meeks got a lot of grief for pulling one of those megalomaniacal stunts of firing his whole band, but in his defense did you ever listen to Tantric? That was not a band I enjoyed. Sure, they were competent musicians and their stuff was okay, but there was no fire behind it. It always sounded like safe, middle-of-the-road rock to me. I just imagine them bringing the songs to him and him saying “No. You’re all fired.”
The acoustic guitars are still front and center but there’s plenty of other instrumentation to shake things up. The acoustic guitar thing was a good gimmick that definitely got them attention with their debut, but I’m guessing that wouldn’t have kept peoples interest if they’d just repeated that formula.
I’m not sure what all the instruments were used on this album , but I’m guessing there’s an ocarina in there somewhere. It really takes me back then.